Bringing my guitar out of mothballs

– my Ovation gets its HMPC debut

The Lord will save me,
    and we will sing with stringed instruments
all the days of our lives
    in the temple of the Lord.

Isaiah 38:20

A few of you have asked about my guitar. Recently, and after neglecting it for far too long, I have started working to get back into the routine of playing a little every day or so. I am, so far, both pleased and disappointed.

On the plus side, I am very happy to be playing again. But at the same time I am seriously concerned about how difficult it is for me. I can’t seem to form and play chords with the dexterity and the clarity I had been accustomed to. There is far too much – and you’ll hear it in this recording – in the way of buzzing and muffling and slipping (I’m talking about my fingers on the fretboard, not me! I’m not audibly creaking quite yet.).

Nevertheless, I agreed to play background music last week during communion at Maundy Thursday worship. Getting ready, I changed out my strings, and this gave me the opportunity to photograph the guitar in more detail. It really is a beautiful instrument.

The model is an Ovation acoustic. I love the tone, as well as the look and feel, and it features proprietary electronics that do a great job of preserving the integrity of the acoustic sound when it is run through an amplifier. But this time I just stood in front of a mic.

Anyway, and in response to several requests, here is the set I played while people were being served the bread and the wine. Mostly chords but with hints at the melody.

I tried to replicate it at home, but of course made far too many mistakes. Regardless, here is the medley: 1) Spirit of the Living God; 2) Turn your eyes upon Jesus; 3) Where you there when they crucified my Lord?

Enjoy. And I hope that I see you in church. Because Easter isn’t over after Resurrection Sunday – this is just the beginning of something remarkably beautiful.

“And we will sing with stringed instruments…” – DEREK

– I’m getting there … little by little

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